Star Cast

Eshwar is played by Harish Kalyan
Ilamparuthi is played by M. S. Bhaskar
Aadhika is played by Indhuja.
As Paruthi Prathana, Rama Rajendra is the protagonist.
Abarna Ilavarasu is Nathan, who plays the role of the house owner,.

Synopsis

Eshwar (Harish Kalyan) and Aadhika (Indhuja), a young couple who have just tied theknot, move into a new home as renters and soon become friends with other peoplewho live there.

It is anticipated that Eshwar’s wife, Aadhika, will give birth to a child inthe near future. Eshwar is a qualified information technology specialist.

Next, Eshwar purchases a vehicle so that he may travel with his wife in a manner that is convenient for both of them.

Until they were confronted with the fury of Illamparuthi (M. S. Bhaskar), everything went swimmingly for the pair.

Ilamparuthi seemed to have little sympathy for the pregnant lady, as he often engages in a verbal battle with Eshwar over the parking spot drama. Ilamparuthi does not want to give up the parking spotthat has been allotted to him for the last ten years because his ego does not want to allow anybody else to steal his position.

He has been enjoying this parking spot. An elderly guy who is considered to be out of touch with modernity is known as Ilamparuthi.

The fact of the matter is that he is just one year away from retiring from his position as a government official. In the meanwhile, Eshwar does not back down either, as he gives Ilamparuthi a run for his money with his performance, despite the
fact that Eshwar is much younger than Ilamparuthi.

It is anticipated that the next Tamil film, “Parking,” which will star actor Harish Kalyan, would be released in theatres on the first of December. This next film is expected to be released.

In spite of the fact that it was originally scheduled to be published on September 28th, the date of publication was ultimately pushed out to a later date.

In addition to Prathana and Ilavarasu, Ramkumar Balakrishnan is the director of this thriller drama film.

There are also more actors in the cast. The film has a number of actors, including Harish Kalyan, Indhuja Ravichandran, MS Bhaskar, and Prathana, among others. Sam CS, who is in charge of the score, is now being responsible for the composition of the music for the film.

Harish Kalyan Parking

The actor Harish Kalyan Parking made a public statement on the day that the movie would be launched by using a variety of social media channels to communicate with the viewers.

The masculine ego is one of the most fascinating paradoxes since, in addition to being the constructor of ambition,

it is also the architect of its own destruction.

This makes it one of the most intriguing contradictions. Taking into mind the fact that films that are constructed around this concept have, in the great majority of cases, always turned out to be wonderful works of cinematic art is an intriguing fact to take into consideration.

Parking,

the very first movie that Ramkumar Balakrishnan ever made, is not an exception to this rule when it comes to the subject matter.

The movie, which is a fantastic conclusion to the male ego series written by Sachy, the Malayalam writer
who is responsible for Driving Licence and Ayyapanum Koshiyum, seems to be an acceptable finish in many respects due to the fact that it is a perfect climax to the series.

The movie is a wonderful conclusion to the series.

The atmosphere and the individuals in Parking are what set it apart from other films and provide the idea that it can be connected to, despite the fact that it draws a substantial amount of influence from Sachy’s films in terms of the emotional beat structure. Parking is a film that may be related to.

The ego struggle

The ego struggle that went place between a Superstar and a motor vehicle inspector was the topic of discussion in this episode of Driving Licence.

In a manner that is analogous to how the protagonists in Ayyappanum Koshiyum come from the military and the police, Driving Licence is basically the same thing.

When it comes to parking, on the other hand, the debate is over a simple shared parking place that involves two normal persons who work from nine in the morning until five in the afternoon.

The parking spot is shared by both of them. Instead of abruptly exposing us to the battle, Ramkumar takes his time to explain that Eshwar (which is played by Harish) and Ilamparuthi (which is done by MS Bhaskar) are not all that unlike to us.

Throughout the course of the tale, we gradually become acquainted with the language employed by each of the important characters,

as well as their various aims, objectives, and vices within the plot.

The way in which the director continues to nurture their connection up to the point when they finally fall out of love with one another closer to the time of the intermission is a fascinating thing to see.

To make matters worse, he ensures that the second half of the film is a full-on conflict between the characters, who don’t pull any punches in trying to establish themselves as the dominant guys in the narrative. This is a further insult to the pain that they have already suffered.

Harish Kalyan Parking

The convenience of parking resides in the fact that it does not need us to choose a side from the several possibilities that are accessible to us.

There is a portion of us that, in the event that there is a dispute, wants that they do not make the situation any more serious.

On the other hand,

there is another portion of us that is looking forward to seeing further tension and drama when it is shown on film.

For instance, take into account the very first drag race that was organised between Eshwar and Ilamparuthi in order to reach the parking lot.

This race was held in order to get to the parking lot.

Eshwar emerges victorious by a very tiny fraction of a second and rushes inside the home, only to cause the side mirror of his brand-new car to crack as he moves on to the next residence.

We are able to experience Eshwar’s wrath, adrenaline rush, and fast remorse over the course of only a few minutes because to the great production of Parking, which puts us in the driver’s seat and makes sure that we feel all of these sentiments.

This is made feasible by the fact that we are definitely going to experience each and every one of these feelings.

Take into account the possibility of imagining the occurrence in which Ilamparuthi emerges victorious; does this alter the way we feel about the current circumstance?

There is no doubt about it, and this is a tremendous achievement for the filmmaker who is just starting out in their profession.